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Hardie On Bird

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Hardie On Bird

There’s always something a bit special when our guest has a personal connection to the filmmaker they’re here to discuss. In the case of our guest Kate Hardie, it was particularly fascinating to hear her discuss the works of Antonia Bird given she was both a collaborator and a huge fan of Bird’s work.

Kate and Antonia worked together numerous times, notably on the acclaimed telemovies Safe (1993) and Rehab (2003), and Kate has a unique insight into Antonia’s directorial style and technique. To have such a personal angle on one of cinema’s most underrated filmmakers is roundly fantastic.

But we don’t just stop at Antonia Bird. This month we dip back into our semi-regular mini-Hi4H segment, in which we choose a director who may not have made enough films to qualify them for the main event. This month, it’s acclaimed experimental filmmaker and documentarian Shirley Clarke.

Clarke is one of the true visionaries of modern cinema, with short films such as Dance in the Sun (1953) and the Oscar-nominated Skyscraper (1960), the groundbreaking mockumentary The Connection (1962) and the Oscar-winning documentary Robert Frost: A Lover’s Quarrel With the World (1963). If you’ve never seen any of her films, we flatter ourselves that this is a good place to start.

But before we get into our two filmmaker spotlights, we also take a look at three of this month’s films, including improvised comedy Black Mountain Poets, single-take feature film Victoria, and comedy/drama Our Little Sister.

All this in one single hour of audio. Plus jokes! And you can subscribe via iTunes, download or stream from our website, or use your podcast-listening app of choice. Whatever works best for you.

Other notes:

Shirley Clarke
This month’s mini-Hyphenate, the incredible Shirley Clarke

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